College Composition Weekly: Summaries of research for college writing professionals

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Vidali, Amy. Disabling Writing Program Administration. WPA, Sept. 2015. Posted 10/28/2015.

Vidali, Amy. “Disabling Writing Program Administration.” Journal of the Council of Writing Program Administrators 38.2 (2015): 32-55. Print.

Amy Vidali examines the narratives of writing program administrators (WPAs) from the standpoint of disability studies. She argues that the way in which these narratives frame the WPA experience excludes instructive considerations of the intersections between WPA work and disability even though disability functions metaphorically in these texts. Her analysis explores the degree to which “these narratives establish normative expectations of who WPAs are and can be” (33).

Drawing on disability scholars Jay Dolmage and Carrie Sandahl (48n3, 49n4), Vidali proposes “disabling writing program work” (33; emphasis original). Similar to “crip[ping]” an institution or activity, disabling brings to the fore “able-bodied assumptions and exclusionary effects” (Sandahl, qtd. in Vidali 49n4) and tackles the disabling/enabling binary (49). Vidali’s examination of the WPA literature addresses its tendency to privilege ableist notions of success, to exclude access to disabled individuals, and to ignore the insights offered by the lens of disability.

In Vidali’s view, the WPA accounts she extracts from many sources focus on disabilities like depression and anxiety, generally positing that WPA work causes such disabilities and that they are an inevitable part of the WPA landscape that must be managed or “escaped” (37, 39). She uses her own experience with depression to discuss how identifying the mental and physical manifestations of depression solely with the stresses of WPA work impoverishes the field’s understanding of “how anxiety might be produced in the interaction of bodies and environments” (40) which occurs in any complex group configuration; recognition of this interaction removes the responsibility for the disability and its effects from “particular problem bodies” and locates it in the larger set of relationships, including inequities, among people and institutions (42). In other words, for Vidali, acknowledging the existence of disabilities outside of and prior to WPA work and their embodied influence within that work can allow scholars to “reframe WPA narratives in more productive ways” (41).

Vidali writes that the failure to recognize disability as an embodied human state interacting with the WPA environment is exacerbated by the lack of data on the number of WPAs with disabilities and on the kinds of disabilities they bring to the task. Vidali examines surveys in which researchers shied away from asking questions about disability for fear respondents might not feel comfortable answering, especially since revealing disability can lead to discrimination (44, 47).

Particularly damaging, she argues, are narratives often critiqued within the disability-studies community, for example, accounts of “overcoming” the burdens of disability, hero-narratives, and equations between “health” and “success.” Drawing on Paul Longmore and Simi Linton, Vidali writes that narratives of overcoming demand that individuals deal with the difficulties created by their interaction with environments in an effort to accommodate themselves to normal expectations, but these narratives refuse to acknowledge “the power differential” involved and increase the pressure to make do with non-inclusive situations rather than advocate for change (42).

Similarly, in Vidali’s view, hero narratives suggest that only the “hyper-able” are qualified to be WPAs; images of the WPA as miraculous and unflappable problem-solver deny the possibility that people “who may work at different paces and in different manners” can be equally effective (43). Such narratives risk “reifying unreasonable job expectations” that may further exclude disabled individuals as well as reinforcing the assumption that candidates for WPA work “all enter WPA positions with the same abilities, tools, and goals” (43). Vidali argues that such views of the ideal WPA coincide with a model in which health is a necessity for success and ultimately “only the fittest survive as WPAs” (40).

Vidali proposes alternatives to extant WPA narratives that open the door to more “interdependent” interaction that permits individuals to care for themselves and each other (40-41). Changes to the expectations WPAs have for themselves and each other can value such qualities as “productive designation of tasks to support teams” and acceptance of a wider range of communication options (43). Moving away from the WPA as hyper-able hero can also permit reflection on failure and an effective response to its inevitability (42). Vidali notes how her own depression served as a catalyst for increased attention to inclusiveness and access in her program and how its intersection with her WPA work alerted her to the ways that disability as metaphor for something that must be disguised rather than an embodied reality experienced by many limits WPAs’ options. She stresses her view that

disabling writing program administration isn’t only about disabled WPAs telling their stories: It’s about creating inclusive environments for all WPAs, not only at the time they are hired, but in ways that account for the embodied realities that come with time. (47)


Kopelson, Karen. Workplace Guides for ASD Individuals. CE, July 2015. Posted 07/30/15.

Kopelson, Karen. “‘Know thy work and do it’: The Rhetorical-Pedagogical Work of Employment and Workplace Guides for Adults with ‘High-Functioning’ Autism.” College English 77.6 (2015): 553-76. Print.

Karen Kopelson examines workplace advice guides designed to help adults on the autism spectrum enter the workforce. She argues that, in the process of explaining how such adults can reinvent themselves to meet workplace demands, these guides underscore worker traits that fit a capitalist ideal, presenting ASD workers* as perfect embodiments of this ideal; they diverge from disability-rights agendas in advising ASD adults to downplay or even reject their identity as a disabled person; they participate in the American narrative of individual accomplishment and personal responsibility; and they disseminate an implicit but very visible rhetorical education in ways that shed light on tensions between composition and disability studies.

To illustrate these claims, Kopelson draws on Amazon rankings to select recent and/or prominent examples of these texts. With the exceptions of works by Temple Grandin and Kate Duffy, which she includes because of their prominence, she focuses on guidebooks published since 2010 in order to understand how the most recent research and terminology are presented and employed by these books (555-56).

Kopelson notes the disproportionate attention given to children with autism-spectrum disorders, suggesting that a recent proliferation of workplace guidebooks reflects the fact that once these “children grow up,” their lives will intersect with the larger culture, in particular the job market (553-54). The books, she contends, direct their arguments to multiple audiences: to ASD individuals and their health-care communities but also to employers, who may not recognize that the supposed deficits that accompany an ASD diagnosis are actually the kinds of qualities employers should value (554). Among these traits are the ability to focus, to be absorbed and satisfied by repetitive tasks, to concentrate on work rather than social interaction (558-60), to work long hours and accept “internal motivation” (560) in lieu of high wages, to remain loyal to an employer: in fact, to define themselves, as Grandin does, by the work they do (561).

In Kopelson’s view, the worker thus constructed is the capitalist “fantasy worker in possession of qualities valued most by contemporary workplaces” (571). At the same time, she illustrates through examples from several texts that in order to succeed in workplaces that continue to be structured around neurotypical expectations, ASD individuals must remake themselves, taking it upon themselves to “adapt” and “fit in” (564).

Kopelson includes examples from many of the texts under study that demonstrate the ways in which this adaptation is predicated on attention to the rhetorical principles of “imitation, delivery, invention, and, especially, to audience and context” (564). Foregrounding books by Barbara Bissonnette, Kopelson detects a pedagogic focus on eliminating the “hermeneutic deficiency” that makes autistic individuals struggle to “objective[ly] and accurate[ly] . . . interpret” situations and people (Bissonnette, qtd. in Kopelson 567-68). This exhortation to read workplace audiences accurately and objectively, Kopelson writes, seems at odds with Bissonnette’s insistence that “meaning comes from context” (qtd. in Kopelson 566). Bissonnette’s pedagogy involves providing examples and heuristics that ASD individuals can use to gauge audience and context as they work to overcome the “mindblindness” that dominant depictions ascribe to them and that reportedly prevents them from understanding others’ perspectives (559. 567-69).

In Kopelson’s view, larger issues emerge from her study of how rhetorical principles in line with much implicit composition pedagogy are used in the workplace guides. Among her questions is whether rhetoric is “inherently normative” (566), imposing pressure to match external standards of propriety, in the process engaging in the “the manipulation of subjectivity itself” (566). Kopelson, citing Paul Heilker and Melanie Yergeau, sees in this function a tension with a view more in line with those expressed in disability studies that “autism is its own ‘way of being in the world through language'” (qtd. in Kopelson 571). Kopelson compares this view of autistics’ methods of intersubjective interaction with other examples of difference in language and with efforts within composition studies to both expand students’ linguistic capacity and value their home languages (572). Kopelson further considers competing views as to whether mainstream rhetorical pedagogy like that practiced in the workplace guides can in fact transform ASD individuals in the ways Bissonnette and others envision or whether entirely new methods of rhetorical education must be invented to meet the needs of autistic students (570-71). Ultimately, Kopelson calls for more study and analysis to understand the intersections of ASD individuals with the larger culture, while urging composition scholars to recognize the realities that have fueled the proliferation of guides like Grandin’s and Bissonnette’s:

And so, while our field may be invested in such notions as “rhetorical accommodation” ([Jenell] Johnson 476, [qtd. in Kopelson 572]), or a “revised” and “expanded understanding of rhetoricity” ([Cynthia] Lewiecki-Wilson 157, [qtd. in Kopelson 572]), and while we may be committed to . . . facilitating access to languages of power while valuing languages of culture or nature, we need to be aware that pedagogies far more public and powerful than those of writing studies, or of higher education at large . . , conspire to ensure that neurotypical and other monolithic norms of language and selfhood are sustained. (572)

*Kopelson notes that the preferred choice of major disabilities-rights groups like ASAN (Autistic Self Advocacy Network) is “identity-first” language rather than the “people with” language often used by the guidebooks  (556-57; emphasis original).


Cox, Black, Heney, and Keith. Responding to Students Online. TETYC, May 2015. Posted 07/22/15.

Cox, Stephanie, Jennifer Black, Jill Heney, and Melissa Keith. “Promoting Teacher Presence: Strategies for Effective and Efficient Feedback to Student Writing Online.” Teaching English in the Two-Year College 42.4 (2015): 376-91. Web. 14 July 2015.

Stephanie Cox, Jennifer Black, Jill Heney, and Melissa Keith address the challenges of responding to student writing online. They note the special circumstances attendant on online teaching, in which students lack the cues provided by body language and verbal tone when they interpret instructor comments (376). Students in online sections, the authors write, do not have easy access to clarification and individual direction, and may not always take the initiative in following up when their needs aren’t met (377). These features of the online learning environment require teachers to develop communicative skills especially designed for online teaching.

To overcome the difficulty teachers may find in building a community among students with whom they do not interact face-to-face, the authors draw on the Community of Inquiry framework developed by D. Randy Garrison. This model emphasizes presence as a crucial rhetorical dimension in community building, distinguishing between “social presence,” “cognitive presence,” and “teacher presence” as components of a classroom in which teachers can create effective learning environments.

Social presence indicates the actions and rhetorical choices that give students a sense of “a real person online,” in the words of online specialists Rena M. Palloff and Keith Pratt (qtd. in Cox et al. 377). Moves that allow the teacher to interact socially through the response process decrease the potential for students to “experience isolation and a sense of disconnection” (377). Cognitive presence involves activities that contribute to the “creation of meaning” in the classroom as students explore concepts and ideas. both individually and as part of the community. Through teacher presence, instructors direct learning and disseminate knowledge, setting the stage for social and cognitive interaction (377).

In the authors’ view, developing effective social, cognitive, and teacher presence requires attention to the purpose of particular responses depending on the stage of the writing process, to the concrete elements of delivery, and to the effects of different choices on the instructor’s workload.

Citing Peter Elbow’s discussion of “ranking and evaluation,” the authors distinguish between feedback that assigns a number on a scale and feedback that encourages ongoing development of an idea or draft (376-79; emphasis original). Ranking during early stages may allow teachers to note completion of tasks; evaluation, conversely, involves “communication” that allows students to move forward fruitfully on a project (379).

The authors argue that instructors in digital environments should follow James E. Porter’s call for “resurrecting the neglected rhetorical canon of delivery” (379). Digital teaching materials provide opportunities like emoticons for emulating the role of the body that is important to classical theories of delivery; such tools can emphasize emotions that can be lost in online exchanges.

Finally, the authors note the tendency for responding online to grow into an overwhelming workload. “Limit[ing] their comments” is a “healthy” practice that teachers need not regret. Determining what kind of feedback is most appropriate to a given type of writing is important in setting these limits, as is making sure that students understand that different tasks will elicit different kinds of response (379-80).

The authors explore ways to address informal writing without becoming overwhelmed. They point out that teachers often don’t respond in writing to informal work in face-to-face classrooms and thus do not necessarily need to do so in online classes. They suggest that “generalized group comments” can effectively point out shared trends in students’ work, present examples, and enhance teacher presence. Such comments may be written, but can also be “audio” or “narrated screen capture” that both supply opportunities for generating social and teacher presence while advancing cognitive goals.

They recommend making individual comments on informal work publicly, posting only “one formative point per student while encouraging students to read all of the class postings and the instructor responses” (382). Students thus benefit from a broader range of instruction. Individual response is important early and in the middle of the course to create and reinforce students’ connections with the instructor; it is also important during the early development of paper ideas when some students may need “redirect[ion]” (382).

The authors also encourage “feedback-free spaces,” especially for tentative early drafting; often making such spaces visible to all students gives students a sense of audience while allowing them to share ideas and experience how the writing process often unfolds through examples of early writing “in all its imperfection” (383).

Cox et al. suggest that feedback on formal assignments should embrace Richard Straub’s “six conversational response strategies” (383), which focus on informal language, specific connections to the student’s work, and maintaining an emphasis on “help or guidance” (384). The authors discuss five response methods for formal tasks. In their view, rubrics work best when free of complicated technical language and when integrated into a larger conversation about the student’s writing (385-86). Cox et al. recommend using the available software programs for in-text comments, which students find more legible and which allow instructors to duplicate responses when appropriate (387). The authors particularly endorse “audio in-text comments,” which not only save time but also allow the students to hear the voice of an embodied person, enhancing presence (387). Similarly, they recommend generating holistic end-comments via audio, with a highlighting system to tie the comments back to specific moments in the student’s text (387-88). Synchronous conferences, facilitated by many software options including screen-capture tools, can replace face-to-face conferences, which may not work for online students. The opportunity to talk not only about writing but also about other aspects of the student’s environment further build social, cognitive, and teacher presence (388).

The authors offer tables delineating the benefits and limitations of responses both to informal and formal writing, indicating the kind of presence supported by each and options for effective delivery (384, 389).


Williams, Mark Alan. Religious Discourse in Student Writing. CE, March 2015. Posted 04/07/15.

Williams, Mark Alan. “Transformations: Locating Agency and Difference in Student Accounts of Religious Experience.” College English 77.4 (2015): 338-63. Print.

Mark Alan Williams addresses the difficulties religious students face in the academic setting of a college writing classroom. He particularly sees this difficulty as arising from the effects of dominant depictions of religion dispensed by public media and figures like Jerry Falwell and Pat Robertson (339). These “official” representations insist on dogmatic or monolithic approaches to religion that lead critical scholars in composition studies to endorse a “conflict narrative” that casts religious students in negative terms and limits options for dealing with religion in student texts (341, 344-45).

Williams argues that these dominant approaches may not accord with students’ religions as they themselves see and practice these faiths in their everyday lives (341). Students attempting to position themselves in relation to their religion may feel incapable of challenging such “hegemonic” portrayals, and, Williams contends, may lack a suitable discourse or effective models for crafting a “religious middle” where more varied, even progressive practice may be pursued (340, 342). Efforts of academics to engage students in critical examination of their views often fail to recognize students’ struggles with the ways in which power and culture constrain their agency and ability to express the complex nature of their lived faiths. Williams argues for strategies that will allow students more agency to define their religious positions. Such strategies will address productive “frictions” among various religious discourses and between religious discourses and academic goals (339, 359).

Building on work by A. Suresh Canagarajah, Williams proposes “translingualism” as a fruitful approach to students’ religious discourse when it enters writing classrooms (349-51). Growing out of work on “World Englishes,” Canagarajah’s view of translingualism focuses on the degree to which language is created and determined by the everyday practice and interaction of users, who bear responsibility for the shape it takes (349). In this view, “accommodation” of varied language use allows “code-meshing” that opens the possibility of new codes that permit new social and cultural formations (349-50). Williams parallels this view of language with the “formational perspectives on religion” of anthropologists Bahira Sherif and Talal Asad, for whom religion, like language, only exists in the ways it is practiced in lived experience (351). Williams provides examples of groups within religious contexts meshing official doctrine with lived revisions to destabilize and reinvent received depictions of religious practice (352-54).

To explore translingualism’s effects in a classroom setting, Williams recounts the work of a Muslim woman who drew on different assignments, including a researched problem-analysis paper and an op-ed discussion, to explain her faith to academic readers (355). For Williams, the student’s use of the op-ed format to mesh her personal experiences as a Muslim woman in American society with the academic argumentative register effectively laid the ground for his acceptance of her redefinition of widely disseminated negative terms (357). Illustrating his claim that religion is created and recreated in use, Williams cites the student’s evocation of the personal as a demonstration of how

the religious personal becomes a critical tool enabling writers to more authoritatively flesh out the practical . . . meanings of religious life for academic peers and instructors whose representational context has predisposed them to grant greater legitimacy to monolithic, negative images of religion. (358)

Williams contends that the student’s efforts at defining herself within and against these multifaceted discourses allowed her access to the tensions between her practical enactment of Islam and the more rigid structures within which her enactment had to evolve (358). Thus, he contends, writing invites students to examine the relations between the power formations that work to constrain religion and the individual practice that can reshape it. Through writing, students can be encouraged to find a voice with which to work out their own interpretations of their faiths without sacrificing their commitments, as instructors resist “insulating them from change or . . . forcing change,” instead providing them “the opportunity to examine these relations for themselves” (359).


Thein, Guise, and Sloan. Emotional Rules in Student Response. RTE, Feb. 2015. Posted 03/31/15

Thein, Amanda Haertling, Megan Guise, and DeAnn Long Sloan. “Examining Emotional Rules in the English Classroom: A Critical Discourse Analysis of One Student’s Literary Responses in Two Academic Contexts.” Research in the Teaching of English 49.3 (2015): 200-23. Print.

Amanda Haertling Thein, Megan Guise, and DeAnn Long Sloan explore the ways in which emotion inevitably pervades classroom environments and argue for more attention to how students understand the “emotional rules” of different learning situations. They focus on pedagogy in literature with a call for similar research in writing, drama, or other language-arts coursework (219).

The authors draw from a broader qualitative project a case study of a “focal” student, Nina, enrolled in Sloan’s 10th-grade course. They chose such students as examples of a diverse range of “reading interests, abilities, and levels of engagement” (205). Nina, an able student who reads widely, is studied as she engages in two learning contexts, a whole-class seminar circle discussing Harper Lee’s To Kill a Mockingbird, and a three-student “literature circle” focusing on Dorothy Allison’s Bastard Out of Carolina in which the students can interact without the direct oversight of a teacher (206). The researchers supplemented transcripts of discussion in each context with interviews with Nina. Thein, Guise, and Sloan examine Nina’s very different rhetorical choices as she responds to literature in the two different environments (205).

The authors’ focus emanates from their contention that emotion has often been theorized as an individual response that should be bracketed because it interferes with the analytical mindset necessary for true critical engagement. On the contrary, they maintain that emotion always underlies students’ construction of the proper way to respond in any given learning environment and, if ignored, can constrain the kinds of learning possible (205). They characterize the rules for incorporating emotion into academic environments and for displaying emotion as “circulating and sticking” through sociocultural processes in which people learn what is expected in each situation (203). Unless such “emotional rules” are “unstuck,” they close off certain interpretive options and allow important issues to be elided (213, 217-18).

The authors’ observations and interviews lead them to characterize Nina’s in-class responses as largely directed to Sloan as the teacher and structured to accord with the attitudes and ideologies Nina believes Sloan values. These include emotionally restrained expressions of tolerance and analytical contextualization of characters’ behavior. In contrast, in the relatively unsupervised literature-circle setting, Nina and her classmates reveal immediate, even visceral, emotional reactions to events in Bastard Out of Carolina. Drawing on the model of critical discourse analysis presented by N. Fairclough, the authors contrast these two sets of responses through examination of “genre,” “style,” and “discourse.” Genre relates to the socially transmitted emotional rules that determine appropriate emotional expression in different contexts; style allows analysis of modes of expression such as tone, voice level, use of metaphor, and phrasing. Discourse involves an account of the “themes” and “ideologies” that appear in the different environments (207-08).

Thein et al. illustrate with coded examples from transcripts and from interviews that Nina intuited “neutral” comments as acceptable within the seminar circle (212), whereas in the small-group student-led literature circle, all three students felt free to judge characters harshly, to address them by name, and even to advocate violent solutions to issues raised in the book (215). Where in the seminar circle, Nina offered her responses in a quiet “academic register,” in the literature circle she raised her voice and risked profane and politically incorrect language in a “street-smart” register that cast her as “someone powerfully able to cope with the fear and violence depicted in the novel” (215). Additionally, in their small group, the students responded to each other rather than to the teacher, as was Nina’s habit in the larger seminar circle (215).

Thein et al. note that Nina may have been drawing on emotional rules from experiences in earlier literature classes rather than accurately interpreting Sloan’s intentions (218). They consider teachers’ attention to students’ reading of such rules as crucial because of the tendency of analytical, academic registers and genres to drive such emotions underground where their implications cannot be part of the discussion. The authors contend that while emotions such as anger and a desire for violent solutions may not be “better” responses (217), they open up new interpretive opportunities that allow students a fuller exploration of their relationship to texts. For example, they argue that for Nina, the examination of varying perspectives she felt was appropriate in Sloan’s class meant trying out only certain approved perspectives; others that she expressed in the less constrained environment were inconsistent with the academic registers and discourses she saw as invited by the class (218). Teachers can help students recognize the existence of these rule sets in order to help them better investigate their responses to a range of emotionally laden situations (218).


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Pajares, Frank. Writing Self-Efficacy. Reading and Writing Quarterly, 2003. Posted 3/2/2015.

Pajares, Frank. “Self-Efficacy Beliefs, Motivation, and Achievement in Writing: A Review of the Literature.” Reading and Writing Quarterly 19 (2003): 139-58. Web. Educational researcher Frank Pajares of Emory University, writing in Reading and Writing Quarterly in 2003, reviews twenty years of research into Albert Bandura’s concept of “self-efficacy” as it relates to student writing. Self-efficacy, which measures one’s belief in one’s ability to complete or succeed at tasks, usually in particular areas, has been more widely studied as it affects success in mathematics and science, but Pajares reports increasing interest from language arts researchers since the 1980s as more scholars address the social and emotional aspects of writing (141-42). Findings indicate that self-efficacy, more than any other source of motivation, influences career choices and predicts success at writing, influencing such contributors to overall success as willingness to take on new, challenging tasks; willingness to persevere despite obstacles or failure; and ability to enjoy or value an activity (140). In fact, Pajares reports, individuals’ confidence in their abilities to succeed at a task may more strongly affect whether or not they succeed than their actual competence level (153). People acquire their self-beliefs from four sources: their sense of previously having “mastered” similar tasks; comparisons of their successes with those of others; their perceptions of others’ judgments about their abilities; and their experiences of stress or anxiety in relation to the task (140-41). Pajares cites findings that other kinds of self-belief that are commonly seen as components of motivation become “non-significant” when self-efficacy is included as a variable. These include writing apprehension; the student’s view of writing as a valuable activity; the student’s view of him- or herself as able to “self-regulate” by self-monitoring and independently adopting strategies for improvement; “self-concept,” a more generalized perception of one’s overall “self-worth”; and “achievement goals,” which capture why students want to succeed, such as intrinsic satisfaction from learning itself rather than a desire for the extrinsic satisfaction of being judged favorably by others (146-48). In other words, these factors may be a result of the individual’s level of self-efficacy rather than contributors to it. Only “preperformance assessment”—a measure of such factors as writing aptitude and prior success—equals self-efficacy as a predictor of writing success (148), and Pajares points to evidence that aptitude and prior success themselves are most likely the products of self-efficacy, so that measures of preperformance are in fact indirect measures of self-efficacy (145). Research indicates that self-efficacy in writing is most often assessed in three ways: as confidence in one’s mastery of particular skills, like punctuation and grammar; as confidence in one’s ability to complete a specific task, like write an essay; or confidence that one can earn a particular grade in a language-arts class (143-44). People hold differing self-efficacy beliefs depending on the task being undertaken; reporting Bandura’s guidelines for effectively evaluating the effects of self-efficacy on success at a task, Pajares cautions that the self-efficacy measures must correspond to the actual task to be assessed, that is, if the outcome is a task like a successful essay, the self-efficacy features to be examined must be those involved in actually producing an essay, not more basic skills such as handwriting competence or mechanics (142). According to Pajares’s review, findings on gender differences are mixed. Girls in lower grades tend to have more confidence in their writing than boys, but by middle school, even though girls believe they write better than boys, they no longer score higher on self-efficacy. Pajares reports speculation that at higher grades, school becomes more masculinized, affecting girls’ attitudes (148-49). Some researchers also posit that girls are less likely to express confidence because they have absorbed a “feminine orientation” that discourages boastfulness (149). Others suggest that girls think they write better than boys because writing, in contrast to math and science, is categorized as a component of a feminine orientation. Pajares reports findings that “gender differences in academic motivation may in part be accounted for by differences in the beliefs that students hold about their gender rather than by their gender per se” (150). Pajares finds less authoritative research on writing self-efficacy in minority students (151-52). Studies find that Hispanic students have lower self-efficacy with regard to their writing than non-Hispanic Whites; this was not the case with regard to math. Pajares raises the possibility that “entrenched, negative perceptions of one’s ability” may impede minority students in academic settings (151). He notes the need for broader research to follow up on these questions. In general, teachers must be aware of the power of self-efficacy beliefs to promote or derail learning. Research suggests that students’ efficacy beliefs about their abilities as writers declines as they progress through school, which further suggests that self-confidence may not be given its due as a factor in ongoing success (152). Efforts to break learning down into challenging tasks that students can succeed at and awareness of the impact of adults’ judgments on students’ self-confidence can prevent negative beliefs from limiting academic achievement (153). Significantly, according to Pajares, efforts to address such affective factors as writing anxiety will not improve outcomes unless the larger construct of overall writing self-efficacy is emphasized (146).